Chongha Peter Lee is currently based out of New York, Washington, D.C and Amsterdam.  He is a polymath transmedia artist whose work deals with the transcultural politics of public health equity media and performance art, neural architectures and impact markets. The artistic forms fuse emergent global street culture, critical historical contextualizations and new scientific knowledge and technologies.

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He has advised on AI ethics for one of the first carbon credit and biodiversity markets in the U.S.; collaborated on a novel use and valuation system of NFT's at the New Media Art Museum in Istanbul, Turkey; and collaborative produced transmedia artworks mediating the politics of oppressed populations for Documenta 15, Manifesta 14 and the Venice Biennale 2019.

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He is currently directing a long-term exhibition project centered around public health equity, both as a Research Fellow for Provisions Library for Arts and Social Change, based out of George Mason University, and as technological and creative director at Plant Group, working for one of the world's largest carbon impact markets. One of his many duties is to actively research and develop novel and ethical uses of AI and create UX for neurodiverse users.

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In terms of impact, his health equity exhibition project has helped avert the unnecessary death of a patient; facilitated the extraction of an artist amidst a collapsing economy in Turkey; prevented the eviction of an immigrant in South America; helped facilitate a safe space for refugees, migrant and non-migrant individuals in precarious situations with varying degrees of neurodiversity - including an individual who was wrongfully imprisoned.

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In 2016, he received his MFA in Transmedia at Syracuse University, creating an art automation software that took part in the world's first automated VR biennale. He co-founded the “Antifragile Agency”, an art and research assemblage which participated in The Wrong Biennale, and “Superpositional Reality” – a VR work that was shown in Video Vortex as part of the Kochi-Muziris Biennale. He co-produced the “The Impossible Dialogues Interface” for the Chile Architectural Biennale XX in 2017 and has been working in socially-engaged art projects showing in multiple Biennales and conferences in both the North and South America's since 2010.

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RESIDENCIES

::2022 - Present - PLANT Group Artist--in-Residence on AI ethics, cryptocurrency and human-machine teams.

::2020 - Present - Provisions Library for Arts & Social Change, Research Fellow, Washington, D.C.

::2019 - KulturKontakt, Vienna, Austria - Artist-in-Residency

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PROFESSIONAL EXPERIENCE

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::2020 - Present - Antifragile Agency, Advisor & Board Member, Washington, D.C.

::2020 - Present - Provisions Library for Arts & Social Change, Research Fellow, Washington, D.C.

::2017- Present - Advisor, Planetary Research Assemblage, NY

::2016 - Present - Plant Group, Cryptocurrency Consultant, NY

::2016 - Present - Sidebridge Agency, Arts Director, NY

::2016 – Co-teacher, Syracuse University, NY

::2015 -- Director, Bridge Agency

::2015 – Teaching Assistant, Syracuse University, NY

::2014 – Teaching Assistant, Syracuse University, NY

::2013 – Visiting Artist, EAL, Bogota, Colombia

::2012 -- Co-teaching experimental media class at George Mason University

::2012 – Visiting Artist, Casita Maria, Bronx, NY

::2012 – Visiting Artist, American University

::2012 – Visiting Artist, University of Minnesota

 

EDUCATION

 

::2013  – Transmedia M.F.A. candidate at Syracuse University

::2007 to 2011 – George Mason University, Fairfax, VA, New Media BFA, with honors

 

EXHIBITIONS & PERFORMANCES

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::2023 - A Touch of Grass, The Locker Room NYC, Brooklyn, NY, USA (as Antinomy)
::2023 - NFT Biennial, X Media Art Museum, Istanbul, Turkey (Antinomy: Artistic duo with Chong-ha
PeterLee)
::2022 - The New Grammar of Images, Mixer, Istanbul, Turkey (Antinomy: Artistic duo with Chong-ha Peter
Lee)
::2022 - SVA Summer Residency Exhibition & Open Studios, New York City, NY, USA

::2022 - "New Materialism", Istanbul, Turkey (Antinomy)

::2022 - SVA, NYC, NY (Antinomy)

::2022 - Documenta Fifteen, Kassel, DE 

::2021 - The Alternative Art School, NYC (Antinomy)

::2021 -  “PopSpec”, New York City, New York (Antinomy)

::2021 - “Antifragile Security”, Washington D.C

::2020 - “You Have No Idea/Election Day” VisArts, Rockville, MD

::2020 - Confluence / SUNY Cortland, New York (Antinomy)

::2019 - “Superpositional Painting” / Berlin, Germany (Antinomy)

::2019 - “You’re AmAsian” / Wrong Biennale (Antinomy)

::2019 - “Memeseum” / Jeonju, Korea (Antinomy)

::2019 - Kultur Kontakt AiR Exhibition/ Vienna, Austria (Antinomy)

::2019 - 58th Venice Biennale, FutuRoma, Fondamenta Zattere Allo Spirito Santo, Venice (ITA) 

::2019 - Open Screen / Bihac, Bosnia

::2018 - “Obseen” / Washington, D.C.

::2018 - “Children’s Intelligence Agency” unidadinvestigacion / Colombia (Antinomy)

::2018 - “Heave” / Cornell University, New York

::2018 - “We Who are Dreaming Of” / Regensburg, Germany

::2018 - “Whale Fall” / London (Antinomy)

::2018 - “Happy Birthday Inda” / Washington, D.C

::2017 - unidadinvestigacion / Colombia

::2017 - Wrong Biennale / Shanghai, China

::2017 - Fantasy Direct / Shanghai, China

::2017 - Rooftop Space / Shanghai, China

::2017 - Yeongma Land Charm Space / Seoul, Korea

::2017 - Syracuse Beech House Gallery / Syracuse, NY

::2017 - Black Metal Forest / Zagreb, Croatia

::2017 - Open Screen / Bihac, Bosnia

::2017 - After School / Toronto, Canada

::2017 - Video Vortex, Kochi Murizis Biennale / India

::2017 - Luxembourg City Film Festival / Luxembourg

::2017 - Why Are We / Washington, D.C.

::2016 - 40 Ounce Summit / Washington, D.C.

::2016 - Off the Wall / Fairfax, VA

::2016 - Violent Opaque / Shanghai, China

::2016 - Revolution/Revelation / Fairfax, VA

::2016 – Screendance Festival

::2015 – Peak Pink / Brooklyn, NY

::2015 – Videomovimiento / Bogota, Colombia

::2015 – From Nowhere / London, UK

::2015 – Inter-Americas Development Bank/ Washington, D.C. *

::2015 – SIGGRAPH Enhanced Vision / Los Angeles, California

::2015 – Flux Factory / Long Island City, NY

::2015 – Video Now! / Syracuse, NY

::2015 – Spark Performance / Syracuse, NY

::2015 – Screening Scholarship Media Festival / Pennsylvania

::2014 – Deformes Biennale / Valdivia, Chile*

::2014 – Georgetown GLOW / Georgetown, DC

::2014 – Missed Connections / Ballston, VA

::2014 – Manifeste / Montreal, Canada *

::2014 – Time-Based Lovers / Syracuse, NY

::2014 – Video Now! / Syracuse, NY

::2014 – Spark Performance / Syracuse, NY

::2013 – EAL / Bogota, Colombia

::2013 – Spark Video / Syracuse, NY

::2013 – Cross Culture / Fairfax, VA

::2013 – WPA Experimental Media Series / Washington, DC

::2013 – Universidad de Sergio Arboles / Bogota, Colombia

::2013 – Escuela de Arte y Letras / Bogota, Colombia

::2013 – Furthermore / Washington, DC

::2013 – EXCHANGED / Harrisonburg, VA

::2012 – Home in Casita Maria / Bronx, NY

::2012 – *The Ripple Effect in the Museum of the Americas / Washington, D.C.

::2012 – *Parks & Passages in the Goethe Institute / Washington, D.C.

::2012 – *Empowered at Prince George’s Community College / Maryland

::2012 – *Sculpting Outside the Lines for Arts in Foggy Bottom / Washington, D.C.

::2012 – *5×5 Public Art Project Commissioned by the D.C. Commission for the Arts & Humanities

::2011 – *Floating Utopia: Mobile Art Gallery Designs at Artisphere /Arlington

::2011 – Video commission for Artisphere ONE / Arlington

::2011- *MDE11 at the Museo De Antioquia / Medellin Colombia

::2011 – *Barcode Orchestra at Artisphere / Arlington

::2011 – *About Change at the World Bank / Washington, D.C.

::2011 – Open Source at Caroll Square Gallery / Washington, D.C.

::2011 – Experimental Media Series juried and curated by DJ Spooky / Washington, D.C.

::2010 – Riverviews Artspace Annual Juried Art Show / VA

*denotes collaborations

 

RESIDENCIES

::2017 -  Darknet Residency

::2017 -  Fantasy Direct Residency

::2017 -  Black Metal Forest Residency

::2016 -  Digital Artist Residency

 

AWARDS & PRESS

 

::2015-  Publication in Global Activism: Art and Conflict in the 21st Century / MIT Press*

::2011-  Publication in Mobile Home Project / Seoul, Korea*

::2011-  Review of Open Source at Caroll Square Gallery by The Washington City Paper – Link

::2011-  Review of About Change at the World Bank by The Pinkline Project – Link

::2010 –1st place Riverviews Artspace Annual Juried Art Show

::2010 –  We Love Music Marathon: Music Marathon Overload @ 2010 Sonic Circuits Festival – Link